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Love the Creature

“And now, once again, I bid my hideous progeny go forth and prosper. I have an affection for it…But this is for myself; my readers..

Featured Essays & Reviews

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No Le Digas A Nadie. Don’t Tell Anyone.

“No le digas a nadie” is a threat that happens in almost every conversation I have with my mom. It’s synonymous with, “Don’t tell another..
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When the Arc is Too Small

When a narrative arc doesn't work, how do we find a structure for a work of narrative nonfiction?
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Prose and Connotations

"It seems like such a small thing to consider, with all of the other elements writers are asked to pay attention to, but I know I need to consider the specific connotations of my words," writes Jenny Hughes.
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That One Time A Writer Signed All My Books

How Andi Stout found a literary community and how it makes her a better writer: An Essay on Literary Citizenship.
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All of Us Ghosts

"This is how ghosts represent trans people. Cactus Country made me realize nonbinariness was a spirit that wanted me to notice it," writes August Owens Grimm in their review essay of Zöe Bossiere's new memoir.
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The Writing Life: How Teaching Helped Me Reclaim My Voice

Olga Katsovskiy explores getting over the writer's block she faced after her dad's death through teaching others to "find the question that needs to be answered."
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Meeting the Complexity of Grief

Pam Anderson shows how B.J. Hollars takes on the complex task of writing about grief without sounding cliche or trite in his memoir, Year of Plenty: A Family's Season of Grief.
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Truth, Shame, and Writing A Memoir

Jonathan Corcoran explores how shame and family secrets nearly prevented him from writing his memoir.
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What If I’m Right About Being Trans

Writer Rey Katz reflects on the importance of language in trans narratives in this review of Schulyer Bailar's book He/She/They.
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When the Writing Is the Grieving

After the death of her husband, Dominque Conway reflects on words, grief, and writing.
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Rewriting Your Code

College junior Aniya Carrington writes about what happens when you're forced to be someone you’re not in order to survive. 
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Whom Are We To Judge?

Michael Igoe explores writing about others and what it does to ourselves.
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Becoming Better Together: How I Help Students Magnify the Deeper Meaning of a Text

As a writer and teacher, Donna Lewis Johnson sees herself and her students as literary detectives, reading texts closely in order to notice the telling details that illuminate the characters, setting, and plot moments.
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Must I forget my first language to move beyond my past?

Parisa Saranj reflects on abandoning Persian, her first language, to write and think exclusively in English, both as a method of embracing her life in the US and abandoning her past in Iran.
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The Body as Home: Traversing Gender to Find Peace

A review of Krys Malcom Belc's The Natural Mother of the Child by Megan Reilley.
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Every Woman Keeps a Flame Against the Wind

An essay by Kristen Millares Young.
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Neighborhood Statistics

An essay by Nicholas Powers.
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I Am Not in My Body

An essay by Daisuke Shen.
An ongoing collection of true stories.
Welcome to the new home of true! Originally the blog for Proximity, true has become a space for bi-weekly conversations around nonfiction storytelling, where you’ll find essays, writing on craft, reviews, interviews, and more. This is also a space where you can find some of Proximity's best essays, narrative journalism, documentary photo essays, and audio storytelling. Proximity is currently on hiatus.

Featured Interviews

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In Favor of Not Understanding

An interview with Olga Mikolaivna about her chapbook cities as fathers is a dialogue about the worth and definition of art, of place, of linguistic selfhood.
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How (Not) To Define A Lyric Essay

Heidi Czerwiec and Erica Trabold explore the function of lyric essays, and how lyric essay collections are illuminating this style of nonfiction writing.
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A Glimmer of Hope Among the Ruins

Shannon Tsonis talks with Kristine Ervin and reflects on her new book, Rabbit Heart, a memoir not unlike her own.
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Wading Through Research: An Annotated Interview with Vicki Valosik

In this annotated interview, Swimming Pretty author Vicki Valosik talks about how she dove into an ocean of primary sources and kept her head above the water.
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Bringing the Past Forward

Judy Goldman speaks with Stephanie Clare Smith about her memoir Everywhere the Undrowned and why the past is never behind us.
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The Journalist in Me: An Annotated Interview with Putsata Reang

By her own admission, Putsata Reang has an “insatiable appetite for research.”
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The Power of Crafting Your Own Beginning: A Talk with Debut Author Suzette Mullen

Suzette Mullen shares how she stepped off the straight path of her life and onto the winding one that became her memoir.
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How Loneliness Manifests

Cija Jefferson speaks with Athena Dixon about her new book of essays, The Loneliness Files, and what it means to find connections inside and outside of writing.
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You have to do what works for you.

A conversation with Sufiya Abdur-Rahman about her deeply reported and deeply personal memoir, Heir to the Crescent Moon.
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The UFO Idea: An Annotated Interview with Gideon Lewis-Kraus

New Yorker Writer Gideon Lewis-Kraus came to write about UFOs with some reluctance.
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Saumya & the Mountain: One Story, Two Ways

A conversation between authors Kristina Gaddy and Saumya Roy on the question at the heart of so many narrative journalists: Should we, or under what circumstances should we, include ourselves in our writing?
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My Middle Name was Wimberley: An Annotated Interview with Nicholas Casey

Brandon Arvesen and NYT Editor Nicholas Casey discuss the essay, “Finding my Father” and the process of fact-decking family stories.
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The Particulars of How

Author Kristina Gaddy joins debut author and journalist Neda Toloui-Semnani to discuss trauma writing, the journalist's experience with memoir, and her nonlinear exploration of family history.
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On Race, Secrets, & Love: An interview with E. Dolores Johnson

Author Sonya Lea and debut memoirist E. Dolores Johnson discuss 'Say I'm Dead,' a family memoir of race, secrets, and love.
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Finding Solace Among the Birds: A Conversation with Joshua McKerrow About Making Art from Grief

Megan Reilley and Photojournalist Joshua McKerrow discuss "Today's Birds," and the act of creating through grief.
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Memoir, Essay, and the Crucible of Meaning: An Interview with Joanna Eleftheriou

Bruce I. Friedland and essayist Joanna Eleftheriou discuss trauma, identity, and place in the writing of 'This Way Back.'
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Images Are Text: A Conversation About Comics With Miriam Libicki

Comics Scholar Kevin Haworth sits down with Miriam Libicki to discuss 'Toward a Hot Jew," and her approach to creating essays in comics form.
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Poems That Bring You Joy

“Why do people turn to poetry in tumultuous times?” is one of the most common questions poet Maggie Smith been asked about her poem “Good Bones” -- Why poems? Why now?
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(Re)using Found Forms: The Hermit Crab Essay

From the front a hermit crab looks like a hand, a red-fingered fist, curling out of a shell. This seems an appropriate metaphor for a hermit crab essay," writes essayist Randon Billings Noble.

From the Pages of Proximity

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Portraits

"The paintings in this series are meant to challenge the way we view people of color. These paintings are part of an ongoing series that also attempts to address, in a forward-thinking way, the lack of representation of African Americans on gallery walls," explains artist Jeremy Okai Davis.
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Abidjan Zoo: A War Story

Photojournalst Michaël Zumstein stepped inside the Abidjan Zoo while the Ivory Coast was at war. This is his dispatch.
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Already We are Less Than Ever Before

A lyric essay by Alison Powell, selected by Judge Hanif Adurraqib as winner of Proximity’s 2nd Personal Essay Prize.
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Split Down the Middle

In this audio essay, Sarah P. Reynolds explores one teenager’s painful secret, and how sharing that secret became a form of activism. “Split Down the Middle” is an original work produced for Proximity‘s BORDERS issue.
Write for true
We publish essays and writing on the craft of nonfiction in its many forms, as well as reviews, interviews, and criticism. We are especially interested in the intersection of reporting and narrative; how nonfiction is and isn’t different from other genres; how we can make true stories compelling; and explorations of highly reflective, emotional, and layered work that exposes a truth about shared experiences in an exulting and punishing world. Email us: editors@truemag.org